In this collaborative piece, the artists wish to explore the relationship between the forces of technology and the forces of nature on the human animal.
Using particle systems, a CGI image of the sun plays on a loop accompanied by a soundscape of acoustical pressure waves emanating from the sun’s surface, mixed with
audio samples from Nasa, and archive material from 1950’s public information films explaining light, and the virtues of work.
"The Sun is playing a secret melody, hidden inside itself, that produces a widespread throbbing motion of its surface, slowly and rhythmically like the regular
rise and fall of tides in a bay or of a beating heart."(Kenneth R. Lang)
Sunlight or starlight, the turning of the earth, the natural rhythms and that for centuries governed the times for work, romance, family and sleep are no longer applicable.
The advent of artificial light; from Edison’s lightbulb, to the ever-present blue light of screens, has disrupted much of humanity’s circadian rhythms. We do not switch off. In our
western industrialised culture, we increasingly see a 24 hour culture of work and availability; powered by the blue light of thousands of man-made suns.
Credit/Tasks: Sound Design
Contributing artists: Visuals: Mark Lloyd
Mark David Lloyd is a British contemporary artist who exhibits internationally. He works predominantly in painting but also in other disciplines. His
work has been described as; meta-modernist, post post-modernist, and nascent.
“While we talk, the sun is getting older. It will explode in 4.5 billion years. … In comparison everything else seems insignificant. Wars, conflicts, political tension, shifts in opinion,
philosophical debates, even passions—everything’s dead already if this infinite reserve from which you now draw energy to defer answers, if in short thought as a quest, dies out with the sun. ...
Human death is included in the life of the mind. Solar death implies an irreparably exclusive disjunction between death and thought: if there’s death, then there’s no thought.”
Jean-François Lyotard 1994